Debord, Guy. The Society of the Spectacle. New York: Zone
Books, 1994. Print.
In this critique, Debord delineates the effect of commoditized
culture has on human beings and how it perpetuates itself through modern society
by implicit, hidden means. He places us at a time where relationships between
people have diminished to the point where consumption is what drives life rather
than interpersonal connection or the motivation to understand anything outside
the given viewpoint. The Spectacle represents peoples’ experience as mediated
through images rather than lived first-hand. Marketing, and today more specifically,
branding, attempts to formulate human identity, to distill the variety of possible
experiences into certain predestined archetypes. This is a function of power
and control at the expense of the whole society, who view appearance,
manufactured need, and external adherence to mass culture as superior to the dangerous
and unpredictable (as well as genuine and original) possibilities of life
outside the norm.
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